The year is 1927, and Shanghai teeters on the edge of revolution.
After sacrificing her relationship with Roma to protect him from the blood feud, Juliette has been a girl on the warpath. One wrongmove, and her cousin will step in to usurp her place as the Scarlet Gang’s heir. The only way to save the boy she loves from the wrath of the Scarlets is to have him want her dead for murdering his best friend in cold blood. If Juliette were actually guilty of the crime Roma believes she committed, his rejection might sting less.
Roma is still reeling from Marshall’s death, and his cousin Benedikt will barely speak to him. Roma knows it’s his fault for lettingthe ruthless Juliette back into his life, and he’s determined to set things right—even if that means killing the girl he hates and loves with equal measure.
Then a new monstrous danger emerges in the city, and though secrets keep them apart, Juliette must secure Roma’s cooperation if they are to end this threat once and for all. Shanghai is already at a boiling point: The Nationalists are marching in, whispers of civil war brew louder every day, and gangster rule faces complete annihilation. Roma and Juliette must put aside their differences to combat monsters and politics, but they aren’t prepared for the biggest threat of all: protecting their hearts from each other.
I really enjoyed These Violent Delights earlier in the year despite that ridiculous cliffhanger – so now is a great time to pick up both books in the duology. There’s a lot going on – monsters in Shanghai, not to mention the lovers to enemies to reluctant partners to lovers and back to enemies again romance (and that’s just the first book) – but ultimately it’s an action packed duology with plenty of depths. If you like YA fantasy that actually pokes at gender inequality and colonialism, and includes multiple queer characters despite the historical setting, I’d highly recommend this series.
Our Violent Ends is a thrilling ride – it took a little bit to get going (and possibly spent a little too long rehashing character dynamics from book one), but once the plot kicked off I binged the last 50 per cent in a single evening, and couldn’t put it down. Gong really captures the complexities of 1920s Shanghai, even before you add monsters to the equation; everyone’s loyalties are constantly shifting, and the broader political tensions of the era intersect with the more localised gang conflict in a meaningful way. Juliette and Roma both love Shanghai and hate what it has become after decades of colonial interference, and the scenes where they debate whether it is worth saving are some of the most hard-hitting.
This is Juliette’s story – she is by far the most fleshed-out character – and I found her fascinating to spend time with. She’s violent, often reckless, and quick to anger, but I wouldn’t really call her an anti-heroine (even if I was surprised by how far she pushed the limits in the sequel). It’s pretty clear she is just making all of her moral choices in the context of her tumultuous upbringing and how far she has been pushed. The other characters are a lot of fun to be around even if they are not quite as engaging, and I am very excited for news of a standalone sequel potentially starring one of my favourite side characters in this series.
I do have one complaint which feels a little harsh, which is that I really wish this had been an adult book – and I really think Gong is capable of writing a great one, despite only being in her early 20s. I simply couldn’t believe the strength of Roma and Juliette’s love for each other – a love that started when they were 14, per the series’ timeline – which meant that a lot of the romance scenes didn’t quite land for me (an important part of any Romeo and Juliet retelling!). I also had to keep mentally aging the characters up in my head because otherwise some of the plot elements felt somewhat far-fetched, particularly the extent to which several grown men were scared of or went along with the whims of an 18 year old woman. I am fully aware that I am outside the target age range, however – and accept that as my lot.
The ending is appropriately bittersweet: it’s a Romeo and Juliet retelling, so I hope no one was expecting a perfectly happy ending. But it’s satisfying and rounds out the story nicely, particularly after some of the high stakes scenes in the middle. And it leaves open the possibility of more stories in this world, which I’m definitely looking forward to.
Note: I received an ARC from Hodder & Stoughton. Our Violent Ends was released on 16 November.